Sunday, December 11, 2011
Randy Higbee 6x6 Exhibition opening
I hope this link to the video works...
I've sold two so far...
Posted by Margaret Dyer at Sunday, December 11, 2011 No comments:
Tuesday, December 6, 2011
France in 2012!
Join us! June 16-30. Class is limited to 7 students.
Posted by Margaret Dyer at Tuesday, December 06, 2011 No comments:
Saturday, December 3, 2011
"Pastry Chefs" is another 6"x6" pastel at the Randy Higbee 6x6 exhibition. $425.
Opening reception December 3, 5:00-9:00.
Randy Higbee Gallery
Costa Mesa, CA 92626
Posted by Margaret Dyer at Saturday, December 03, 2011 4 comments:
Friday, December 2, 2011
Randy Higbee Gallery "6 Inch Squared"
I have several pieces in the Randy Higbee Gallery "6 Inch Squared" exhibition, December 3-22. Opening reception Saturday, December 3, 5:00-9:00. Wish I could see the show. I suspect it's a fun show to see, with all pieces being 6x6 inches. And at affordable prices, just in time for Christmas!
Randy Higbee Gallery
Costa Mesa, CA 92626
Posted by Margaret Dyer at Friday, December 02, 2011 2 comments:
Tuesday, November 1, 2011
My final workshop in 2011, The Veranda.
Just got home from teaching my last 3 day workshop of the year at The Veranda Bed and Breakfast, in Senoia, Georgia. What a perfect way to end my year. The beautifully decorated 1800's home was a thrill to wake up in every morning; the late October weather and brilliant colors outside the windows embellished the mood. I even got to share the weekend with my daughter, Meg, who posed for us all weekend (pictured). It was a great group of artists and Laura and Rick Reynolds, owners and ex-inlaws of mine (that's Laura pictured standing in the dining room), could not have indulged us more. Actually, maybe they indulged too much...lavish breakfasts, cookies all day long, wine in the evenings, even a birthday cake and champagne to celebrate 2 students' birthdays on the last day of the class. We're already making plans for another in October 2012. Many of the students plan to do it again!
I got home Sunday night and fell into the bed at 8:30; slept till 8 the next morning. It's been a long year. I'm grateful to have the work. And a full schedule already in my 2012 calendar. Very grateful. Thank you everyone!
Posted by Margaret Dyer at Tuesday, November 01, 2011 3 comments:
Wednesday, September 28, 2011
October 8 workshop at my studio...
Posted by Margaret Dyer at Wednesday, September 28, 2011 1 comment:
Sunday, September 18, 2011
The Veranda, Senoia, GA
Anybody interested in taking my art workshop near Atlanta? How about October 28-30 at The Veranda, in Senoia, GA (near Newnan), a gorgeous victorian bed and breakfast. Breakfasts to die for. I'd love to fill the place. For more info: http://www.margaretdyer.com/veranda.html
I'm writing from Montreal, where tomorrow I'll begin teaching a couple of classes, then I go to Toronto to teach another. I'll try to take pictures of it all. Sorry I haven't been writing. Life has just been...challenging. I figure keeping busy is the best thing to do. It also helps pay the rent.
Posted by Margaret Dyer at Sunday, September 18, 2011 No comments:
The Beaux Arts Auction
This piece has been donated to the Beaux Arts Auction, the annual fundraiser for the Scottsdale Artists School, in Scottsdale, AZ.
The Scottsdale Artists’ School offers weekly classes and workshops for everyone from the aspiring novice to the professional artist. Their courses are taught by some of the most highly respected professional artists in the country today. If you're looking to add to (or begin) your art collection, this is the place to look. I don't know if they take phone bids, but you might want to give them a call if you're interested.
Beaux Arts Annual Fundraiser
Date: November 12, 2011 - November 12, 2011
Time: 6:00 AM - 10:00 PM
Location: Scottsdale Artists School
Signature artist, Milt Kobayashi and Honoree, John Coleman -EAST MEETS WEST
$125 per person. Sponsor packages available, please contact SAS for more information.
To view the Beaux Arts Gallery (site will be updated as more artist contributions arrive) click on title of blog above. Gallery will be continuing to grow right up until the event! All art is available for auction at the event.
Posted by Margaret Dyer at Sunday, September 18, 2011 1 comment:
Monday, August 22, 2011
"101 South" Best of Show!
I'd feel remiss as a marketer of my work if I didn't mention this. "101 South" won Best of Show at the Southeastern Pastel Society Juried Members' Exhibition, juried by Marc Hanson, whose incredible work you must see ( http://marchansonart.com), and whom I met last night. A very nice guy. I'm honored and humbled he selected mine. Thank you, Marc.
Posted by Margaret Dyer at Monday, August 22, 2011 9 comments:
Friday, July 22, 2011
Rozsa, our model, with the laundry
Well, I'm recovered. I think. I got back on the 7th of July and had to hit the ground running. I edit the newsletter for the Southeastern Pastel Society, which was to be edited and published as soon as I got home. It's also the time of our annual exhibition, for which I create the show catalog. So I didn't have time to recover from my trip, being up all hours--for days-- on my computer. Then it took me a couple of weeks to pay bills, catch up on emails, do laundry, catch up on lost sleep. I'm only just now feeling like I can function at normal speed again. I think I'll think again next time I'm asked to commit to being out of town for a month.
But...France was magical. The artists who took my classes made it that much more so. I will treasure the memory of every face I had the honor to work and play with. If any of you think it'd be fun to join me at future workshops there, please do. Kippy will somehow make you feel like you're her very best friend by the time you leave La Bonne Etoile.
I never did put up the work from the students from my first week's class--we had opted not to have a vernissage (private exhibition) at the end of the week, so I had difficulty figuring out whose paintings were whose when I finally got around to looking at their work. But I'm going to upload their work for my next post--it'll take me a little time to do it.
In the meantime, here's something I did from the workshop photo sessions. I'll be posting more of these images in the days to come.
"Rozsa with the Laundry" is a 9x12 pastel on LaCarte paper, a larger size than my usual little 5x7 auction pieces. Bidding begins at $450.00.
Posted by Margaret Dyer at Friday, July 22, 2011 No comments:
Wednesday, July 6, 2011
My last day in France...
Today is my last day in France (yes, I'm still here--one week after the last of my students left). I woke to a glorious morning with the sun exploding into my room and a symphony of bird song. I'll spend the day packing my bags and running errands, like taking a trip to the boulangerie/patisserie in the adjacent village for a thank-you gift for Madam De LeHaye, who has ironed any article of clothing I left too long in the laundry room.
I've done a lousy job of blogging this time around. There was so much to write about, and so many pictures to upload, but that process was extremely time-consuming on my old PowerBook G4 laptop, and there was always a rush to be somewhere else.
What did I not write about? During this past week, Kippy and Jerome took me on a 4 hour drive to Jerome's grandmother's centuries old home (6 photos on top) in the Loire Valley for several nights, which is another reason why I've been so quiet--no internet.
A ten minute drive from his family home, we visited the Royal Chateau d'Amboise, initially built in the eleventh century, improved over time, and in the mid 1400's became a royal residence and summer residence of the Kings of France. Nearby is the 15th century Chateau du Clos Luce, where Leonardo da Vinci, invited to live in France by King Francois I, spent his last 3 years and was buried. I walked the halls he walked and the rooms he lived in: his bedroom (pictures 7, 8, 9 and 10 are Da Vinci's home--that's his red canopy bed), his studio and the room where he met with his friends. In the lower level of the house were 40 of his machines, some with 3D animation: the parachute, the bicycle, the automobile, the paddle-boat. the helicopter, the machine gun, the tank. We walked through the gardens he walked through. You can play with some of Da Vinci's machines throughout the garden--you can paddle-boat down the meandering stream, there is a a steam-spewing machine-gun, and you can walk over his turning bridges. How thrilling to see where he lived in his final years.
We saw troglodyte homes. In France, homeowners are charged tax according to the roof over their heads, so many people, even today, build their homes into the limestone cliffs. They carve out caves and make comfortable homes. And they don't pay property tax. They looked like well-appointed homes. I want one.
Last night, the icing on the cake. Kippy and I had tickets to the opera at the incredible Palais Garnier Opera House (Paris Opera pictures swiped from Wikipedia). Or, we thought it would be an opera. While sitting in our seats, flipping through the program as the orchestra warmed up, we realized it was actually a ballet. We sat enthralled and delighted for the next several hours as we watched the Paris Ballet de L'Opera perform Les Enfants du Paradis. During intermission, Kippy led me to an ornate ballroom with sculpted and guilded walls, with ceilings painted by Paul Baudry (a new name on my favorites list--and note to my daughters Anna and Meg, who I suspect may have inspired Mucha).
I just realized I have not seen TV in almost a month. I have not missed it (although I do check daily for news and Casey Anthony updates).
I'm ready to go home--back to reality, after this whirlwind fairy tale experience. But I'll be listening even more religiously to my French CDs throughout the next year, in anticipation for a repeat trip, Lord willing, to La Bonne Etoile. Maybe some of you will join me?
Posted by Margaret Dyer at Wednesday, July 06, 2011 1 comment:
Thursday, June 30, 2011
Some of Curtis' work
Some of Carey's work
Some of Alice's work
All students but Alice stayed with us one week; Alice stayed two weeks. That's why you see so much more of Alice's work.
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